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points to an interesting intersection/relationship. For Cavarero, "life stories"
must be "related," i.e. told to an other in order to truly exist. Additionally,
because of this need for an other, life-stories signify relationships between
narratable selves. In many ways my own research is structured around a
series of relations; relations between print and digital writing, between
literature and theory, between linearity and multi-linearity, between
identity(ies) and narrative, and between subjects and pleasure. To relate is
to bring into play the self, the other, power, and desire - elements necessary
to the equation of any self. The structure of "relating," then, is analogous to
my research on female "hyperfiction" authors and their reaction to, relation
with, and rendering of narrative. Given the importance of relationships, both
to hypertext theory and feminist philosophy, I am bringing together resources
which might help others explore, encounter, and experience new media
transformations.
for New Media Researchers" Online. 11 August 2005.
http://www.jesslaccetti.co.uk/resources.html
Jess Laccetti
jlaccetti@tiscali.co.uk
If you know of anything you think should appear on this list just let me know
and I'll add it on.
trans. with an introduction by Paul A. Kottman (London and New York:
Routledge, 2000).
Alison Lee, Realism and Power: Postmodern British Fiction (London:
Routledge, 1998).
Anaïs Nin, Ladders to Fire (Chicago: Swallow Press, 1959).
Andre Brink, The Novel: Language and Narrative from Cervantes to
Calvino (New York: New York University Press, 1998).
Andrew Gibson, Towards a Postmodern Theory of Narrative
(Edinburgh: Edinburgh University Press, 1996).
Anja Rau, "Wreader's Digest - How To Appreciate Hyperfiction,"
Journal of Digital Information, 1.7, 2000 http://jodi.tamu.
edu/Articles/v01/i07/Rau/.
Barbara Page, “Women Writers and the Resistive Text,” Cyberspace
Textuality: Computer Technology and Literary Theory, ed. Marie-Laure
Ryan (Bloomington: Indiana University Press, 1999).
Brian McHale, Postmodernist Fiction (London: Routledge, 1987).
Caitlin Fisher, “Re: more on Jane book,” online posting, 3 June 2002,
21 Oct. 2004 <http://research.umbc.edu/~korenman/wmst/jane3.html>.
Carole Maso, "Rupture, Verge, and Precipice. Precipice, Verge, and
Hurt Not," Tolstoy's Dictaphone, ed. Sven Birkerts, (Saint Paul: Graywolf
Press, 1996).
Carolyn Guertin, “Assemblage: The Women’s New Media Gallery,”
trAce: Online Writing Centre, 04 Jan. 2005, 10 Aug. 2005 http://trace.ntu.ac.
uk/traced/guertin/assemblage.htm.
Carolyn Guertin, “Buzz-Dazed States and Leaps of Faith: Random
Swarmings,” Beehive, 7 May 2004 Temporal Image <http://beehive.
temporalimage.com/content_apps02/queen_bees/pages/honey1.html>.
Carolyn Guertin, “Gesturing Towards the Visual: Virtual Reality,
Hypertext and Embodied Feminist Criticism,” Surfaces, 8 (Montréal, 1999)
<http://www.pum.umontreal.ca/revues/surfaces>.
Carolyn Guertin, “Quantum Feminist Mnemotechnics: The Archival
Text, Digital Narrative and the Limits of Memory,” diss., University of Alberta,
2003, 3.
Carolyn Guyer, “Along the Estuary,” Sept. 1996, 23 July 2004 <http:
//www.mothermillennia.org/Carolyn/Guyer_Essays.html>.
Catherine Belsey, Critical Practice (New York: Methuen, 1980.
Charles Bernstein, “For M/E/A/N/I/N/G,” M/E/A/N/I/N/G: An Anthology
of Artists’ Writings, Theory, and Criticism, ed. Susan Bee and Mira Schor
(Durham: Duke University Press, 2000).
Charlotte Perkins Gillman, “The Yellow Wallpaper,”Literature:
Reading, Reacting, Writing, ed., Laurie G. Kirszner and Stephen R. Mandell,
3rd ed. (Orlando: Harcourt, 1997).
CHLOE: Communications and Hypertext Links for Online Education –
Women’s Studies, http://www.chloe.uwa.edu.au/.
Christopher Keep, Tim McLaughlin and Robin Parmar, “Realism and
the Realist Novel,” Nov. 1995, The Electronic Labyrinth, 27 Sept. 2004 <http:
//www.iath.virginia.edu/elab/elab.html>.
Christopher Prendergast, The Order of Mimesis: Balzac, Stendhal,
Nerval, Flaubert (Cambridge: Cambridge University Press, 1986).
Cyberarts and Cyberculture Research Initiative, 24 June, 2004, 10
May 2005 http://www.cyberartsweb.org/.
Cynthia Haynes, "Inside the Teaching Machine: Actual Feminism
and (Virtual) Pedagogy," CWRL EJournal Vol.2, No. 1 http://www.cwrl.utexas.
edu/~cwrl/v2n1/haynes/index.html.
David Lodge, “Mimesis and Diegesis in Modern Fiction,” Essentials of
the Theory of Fiction, eds Michael J. Hoffman and Patrick D. Murphy
(London: Leicester University Press, 1996).
David Porush, home page, 1999, 6 February 2004 <http://www.lib.rpi.
edu/~porush/>.
Deborah Bowen, “Preserving Appearances: Photography and the
Postmodern Realism of Anita Brookner,” Mosaic 28.2 (1995): 1, Questia, 27
Sept. 2004 <http://www.questia.com/>.
Deena Larsen, “Criticism: Honing the Craft,” Journal of Digital
Information 3.3 (24 Jan. 2003), 17 July 2004 <http://jodi.ecs.soton.ac.
uk/Articles/v03/i03/Larsen/criticism.html>.
Deena Larsen, “The Language of the Void,” Riding the Meridian
1999, 17 June 2004 <http://www.deenalarsen.net/void/>.
Deena Larsen, www.deenalarsen.net
Diana George, "Wonder of it All: Computers, Writing Centers, and the
New World," Computers and Composition 12 (1995): 331-334.
Diane Greco, "Hypertext with Consequences: Recovering a Politics of
Hypertext," <http://www2.cs.unc.edu/~barman/HT96?P79?ht96.html>
Diane Greco, “Female Writing,” Cyberarts Web, 1996, 5 Jan. 2005
http://www.cyberartsweb.org/cpace/ht/greco5.html.
Domna C. Stanton and Jeanine Parisier Plottel, eds, The Female
Autograph (New York: New York Literary Forum, 1984).
Donna Haraway, “Situated Knowledges: The Science Question in
Feminism and the Privilege of Partial Perspective,” Simians, Cyborgs and
Women: The Reinvention of Nature, ed., Donna Haraway (New York and
London: Routledge, 1991).
Donna Haraway, Modest_Witness @ Second_Millenium FemaleMan©
_Meets_OncoMouse™: Feminism and Technoscience (New York and
London: Routledge 1997).
Dorit Cypis qtd. in Sheila Pinkel, “Women, Body, Earth,” Women, Art &
Technology, ed. Judy Malloy (Cambridge, MA: The MIT Press, 2003).
Drucilla Cornell, Transformations: Recollective Imagination and
Sexual Difference (London: Routledge, 1993).
Eastgate, www.eastgate.com.
Elaine Showalter, “Feminist Criticism in the Wilderness,” Critical
Inquiry 8.2 (Winter 1981).
Elizabeth Eisenstein, The Printing Revolution in Early Modern
Europe (London: Cambridge University Press, 1978).
Espen Aarseth, Cybertext: Perspectives on Ergodic Literature
(Baltimore: Johns Hopkins University Press, 1997).
Fredric Jameson, Postmodernism, or, the Cultural Logic of Late
Capitalism, (Durham: Duke University Press, 1991).
Friedrich Nietzsche, The Birth of Tragedy and The Genealogy of
Morals, trans. Francis Golffing (New York: Doubleday, 1956).
Gail Scott, Spaces Like Stairs (Toronto: Women’s Press, 1989).
Gayatri Spivak, “In a Word. Interview,” ed. Terry Lovell, Feminist
Cultural Studies, 2 (1995).
Georg Lukács, “Preface to The Theory of the Novel,” 1996 Marxists.
Org, May 2004 <http://www.marxists.org/archive/lukacs/works/theory-
novel/preface.htm>.
George Landow, “What’s a Critic to Do?,” Hyper/Text/Theory, ed.
George Landow (Johns Hopkins University Press: Baltimore, 1995).
George Landow, Hypertext 2.0: The Convergence of Contemporary
Critical Theory and Technology (Baltimore: Johns Hopkins University Press,
1992).
Gèrard Genette, Figures III, trans. Jane E. Lewin (Paris: Seuil, 1972).
Gérard Genette, Narrative Discourse, trans. Jane E. Lewin (Oxford:
Blackwell, 1980).
Gregory Ulmer, “Grammatology (in the Stacks) of Hypermedia,”
Literacy Online, ed. Tuman (1992).
Gunter Gerbauer and Christopher Wulf, Mimesis: Culture, Art, Society,
trans. Dan Reneau (Berkeley: University of California Press, 1995).
Helene Cixous, "Coming to Writing" and Other Essays ed. Deborah
Jansen (Cambridge: Harvard UP, 1991).
Hypertext Kitchen, http://www.hypertextkitchen.com/WebHT.html.
Ilana Snyder, Hypertext: The Electronic Labyrinth (New York: New
York University Press, 1996).
Irene Martyniuk, “Troubling the ‘Master’s Voice’: Djuna Barnes’s
Pictorial Strategies” Mosaic 31.3 (1998).
Jacqueline Rose, Sexuality in the Field of Vision (London: Verso,
1986).
Jacques Derrida, Dissemination, trans. and introduction Barbara
Johnson (Chicago, University of Chicago Press, 1981).
James Phelan and E. Maloney, "Authors, Readers, and Progressions
in Hypertext Narratives," Works and Days, 17-18, 1999-2000, 265-77.
Jane Yellowlees Douglas, “Abandoning the Either/Or for the
And/And/And: Hypertext and the Art of Argumentative Writing,” 1996, 12
May 2004 <http://web.nwe.ufl.edu/~jdouglas/AllenUnwin.pdf.>
Jane Yellowlees Douglas, The End of Books – Or Books without End:
Reading Interactive Narrative (Ann Arbor: University of Michigan Press,
2003).
Janet H. Murray, Hamlet on the Holodeck: The Future of Narrative in
Cyberspace (Cambridge: MIT Press, 1997) 91.
Jay David Bolter, Degrees of Freedom, 1996, 20 March 2004 <lcc.
gatech.edu/~bolter/degrees.html>.
Jay David Bolter, Writing Space: The Computer, Hypertext, and the
History of Writing (Hillsdale, NJ: Lawrence Erlbaum Associates, 1991) 116.
Jean Baudrillard, Simulacra and Simulation, trans. Sheila Faria
Glaser (Ann Arbor: University of Michigan Press, 1994).
Jean-Francois Lyotard, The Post-Modern Condition: A Report on
Knowledge (Manchester: Manchester University Press, 1979).
Jeanne Larsen, "Who's in Charge Here? A Response to Shelley
Jackson's Patchwork Girl," New River, 3 http://www.cddc.vt.
edu/journals/newriver/3/patchwork.html
Jennifer Green-Lewis, “Fiction in the Age of Photography: The
Legacy of British Realism,” review, CLIO 30.3 (2001), Questia, 27 Sept. 2004
<http://www.questia.com/>.
Jessica Laccetti, “Review of Narratives Across Media: The Languages
of Storytelling,” ed. Marie-Laure Ryan, Resource Centre for Cyberculture
Studies, http://www.com.washington.edu/rccs/bookinfo.asp?
ReviewID=335&BookID=280.
Jill Walker, "Piecing Together and Tearing Apart: Finding the Story in
'Afternoon,’" Hypertext '99 ed. Klaus Tochtermann, et al. (New York: ACM
Press), 1999, 111-117, http://cmc.uib.no/jill/txt/afternoon.html.
Jill Walker, http://jilltxt.net/.
Jim Rosenberg, book cover, Of Two Minds: Hypertext Pedagogy and
Poetics by Michael Joyce (Ann Arbor: University of Michigan Press, 1995).
Joanne S. Frye, Living Stories, Telling Lives: Women and the Novel
in Contemporary Experience (Ann Arbor: University of Michigan Press, 1989).
Johanna Drucker, “Process Note: Marshall Reese, Writing,” The
L=A=N=G=U=A=G=E Book, eds, Bruce Andrews and Charles Bernstein
(Carbondale: Southern Illinois University Press, 1984).
John D. Lyons and Stephen J. Nichols eds, Mimesis: From Mirror to
Method (Hanover: University Press of New England, 1982).
John Tolva, Ut Pictura Hyperpoesis: Spatial Form, Visuality, and The
Digital Word, 16 March 1996, 7 Sept. 2004 <http://www.cs.unc.
edu/~barman/HT96/P43/pictura.htm>.
Judith Butler, Bodies That Matter (London: Routledge, 1993).
Judith Butler, Gender Trouble: Feminism and the Subversion of
Identity (New York: Routledge, 1999).
Judith Butler, Gender Trouble: Feminism and the Subversion of
Identity (New York: Routledge, 1990) 175, 177. The ambiguity, i.e. gender
indeterminacy, contained within the images pulls the viewer into a
problematical viewing position. The sexually suggestive images may
perform for both a heterosexual male as well as a lesbian audience. This is
another way of how Fisher moves away from the categorising tendencies of
these particular types of representations.
Judy Malloy, Hypernarrative in the Age of the Web, 2002, 5 May 2004
<http://www.well.com/user/jmalloy/neapaper.html>.
Julia Kristeva, “From One Identity to an Other,” Desire in Language
(New York: Columbia University Press, 1980).
Julia Kristeva, New Maladies of the Soul, trans. Ross Guberman (New
York: Columbia University Press, 1995).
Julia Kristeva, Séméiotiké: Recherches pour une Sémanalyse (Paris:
Editions du Seuil, 1969).
Katherine Hayles, “Artificial Life and Literary Culture,” ed. Marie-
Laure Ryan, Cyberspace Textuality: Computer Technology and Literary
Theory, (Bloomington and Indianapolis: Indiana University Press, 1999).
Kathy Brew, “Through the Looking Glass,” Women, Art & Technology,
ed. Judy Malloy (Cambridge, MA: The MIT Press, 2003).
Laura Mulvey, “Magnificent Obsession,” Parachute 42 (1986).
Laura Mulvey, “Visual Pleasure and Narrative Cinema,” Visual and
Cultural Studies, 2 Feb. 2004, 20 Nov. 2004 <http://www.panix.
com/~squigle/vcs/mulvey-vpnc.html>.
Leslie Hill, Beckett’s Fiction in Different Words (New York: Cambridge
University Press, 1990).
Lidia Curti, Female Stories, Female Bodies: Narrative, Identity and
Representation (Basingstoke, Hampshire: Macmillan, 1998).
Lilian R. Furst, All Is True: The Claims and Strategies of Realist
Fiction (Durham and London: Duke University Press, 1995).
Linda Hutcheon, “Historiographic Metafiction,” Passionate Doubts:
Designs of Interpretation in Contemporary American Fiction, ed. Patrick O’
Donnell (Iowa City: University of Iowa Press, 1986).
Linda Hutcheon, The Politics of Postmodernism (New York:
Routledge, 1989).
Lisbeth Klastrup, “Interactivity Definitions,” (Copenhagen: IT
University, 2003) 4 July 2004 http://www.itu.dk/people/klastrup/ianet.doc.
Loss Pequeño Glazier, Digital Poetics: The Making of E-Poetries
(Tuscaloosa and London: University of Alabama Press, 2002).
Luce Irigaray, Elemental Passions, trans. Joanne Collie and Judith
Still (London: Athlone Press, 1992).
Luce Irigaray, Speculum of the Other Woman, trans. Gillian C. Gill
New York: Cornell University Press).
Luce Irigaray, This Sex Which Is Not One, trans. Catherine Porter with
Carolyn Burke (Ithaca: Cornell University Press, 1995).
Margaret Morse, “The Poetics of Interactivity,” Women, Art &
Technology, ed. Judy Malloy (Cambridge, MA: The MIT Press, 2003).
Marguerite Alexander, Flights from Realism: Themes and Strategies
in Postmodernism British and American Fiction (London: Edward Arnold,
1997).
Marianne Hirsch, The Mother/Daughter Plot: Narrative,
Psychoanalysis, Feminism (Bloomington: Indiana University Press, 1989).
Marie-Laure Ryan, Narrative as Virtual Reality: Immersion and
Interactivity in Literature and Electronic Media, (Baltimore: Johns Hopkins
University Press, 2001), Jill Walker, “Performing Fictions: Interaction and
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Marie-Laure Ryan, “Cyberspace, Virtuality, and the Text,” Cyberspace
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Ryan (Bloomington: Indiana University Press, 1999).
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Possible Worlds Semantics and Postmodern Theory,” Journal of Literary
Semantics, 27 (1998).
Marie-Laure Ryan, Possible Worlds, Artificial Intelligence, and
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in Electronic Literacy 5 (Fall 2001), 2 June 2004 <http://www.cwrl.utexas.
edu/currents/fall01/coverley.html>.
Marjorie Luesebrink, a.k.a. M.D. Coverley, http://califia.hispeed.
com/cover.htm.
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Cyberspace Textuality: Computer Technology and Literary Theory, ed.
Marie-Laure Ryan (Bloomington: Indiana University Press, 1999).
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Naomi Schor, “This Essentialism Which Is Not One: Coming to Grips
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Susanne de Lotbinière-Harwood, Re-Belle et Infidèle: La Traduction
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Teresa de Lauretis, ed., “Film and the Visible – How Do I Look?” Bad
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Teresa de Lauretis, ed., Feminist Studies/Critical Studies
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Thomas Docherty, After Theory (Edinburgh: Edinburgh University
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Walter Benjamin, “Some Motifs in Baudelaire,” Charles Baudelaire: A
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Wendy Battin, “Schoen Tell,” Electronic Book Review, 5 (2001), 1
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Wendy Battin, “The Telling,” Pares Cum Paribus, 4 (1997), 30 April
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cl/rehuehome/facultad/publicaciones/pares/pares04/poesia9.htm>.
