2.1.09

[multimodal narratives :: nonfiction]

Enjoying some downtime over the holidays and catching up on fun reading. While doing so I came across a variety of new media narratives. This one, Storm Stories, uses photos and videos with a focus on user-generated content.

Also have a look at the Wisconsin State Journal's Down to a Whisper on the loss of Native languages. There are images, video and the most interesting bit is the option to listen to Native languages; choose paragraphs, sayings or even just vowel sounds.


Time's person of the year, Barack Obama. Are you connected?



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28.10.08

[attack racism]

Apparently "Margaret Wente is one of Canada's leading columnists." Apparently "she provokes heated debate with her views... Fine. I think we'd agree that heated debate and discussion are central to the sharing and deepening of knowledge. However, read these statements: "it is simply not permissible to say that aboriginal culture was less evolved than European culture or Chinese culture – even though it's true" and "The fact that North American cultures never evolved further."

I think most open-minded people would agree that there are some huge (unfounded) generalisations being made here. Wente begins her "article" with a nod towards the recent racist comments made by Dick Pound (International Olympic City) [he said: "We must not forget that 400 years ago, Canada was a land of savages, with scarcely 10,000 inhabitants of European origin, while in China, we're talking about a 5,000-year-old civilization."]. While Wente admits that Pound's remarks were "stupid" she explains why, not simply because his line is hugely offensive, but importantly because "The last thing they [B.C. government and VANOC] want is for native protests to
"steal the spotlight. Comments about “savages,” in whatever language, are not helpful." Nice. So basically, say what you like, offend whom you like, as long as business can carry on as planned.

As Nick Reo at Turtle Talk notes, "her conclusions are poorly founded, contradictory, and backward-ic."

Wente attempts to support her views by referencing an "academic" text about to be published by McGill-Queenh's University Press called Disrobing the Aboriginal Industry (I won't add a link as they really shouldn't get any more publicity - plus, since when is a culture an industry?). In this book, Wente explains that the authors

"knoc[k] the stuffing out of the prevailing mythology that surrounds the history of first peoples. That mythology holds that aboriginal culture was equal or superior to European culture. At the time of contact, North America was occupied by a race of gentle pastoralists with their own science, their own medicine and their own oral history that was every bit as rich as Europe's.

The truth is different. North American native peoples had a neolithic culture based on subsistence living and small kinship groups. They had not developed broader laws or institutions, a written language, evidence-based science, mathematics or advanced technologies. The kinship groups in which they lived were very small, simply organized and not very productive. Other kinship groups were regarded as enemies, and the homicide rate was probably rather high. Until about 30 years ago, the anthropological term for this developmental stage was 'savagery.'"

and

"Today, “traditional knowledge,” which generally resides among the elders, is sought after by governments, studied in universities around the world, and recognized in environmental assessment processes. But Ms. Widdowson says most of it is useless – a heap of vague beliefs and opinions that can't be verified or tested. Why have the muskoxen drifted west? Because, according to the elders, the animals were “following the people because they missed them and wanted their company.”

The references in the book by Widdowson and Howard also cannot be taken at face-value, as substantiation of their wild views because also those academics and their ideas have been "distorted, taken out of context, and at times used to support conclusions that are diametrically opposed to our own [those of us who have been writing on indigenous oppression and self determination] perspectives." As Deborah Simmons further explains:

"In short, Widdowson and Howard have the temerity to argue that indigenous societies are a throwback to an anachronistic Neolithic stage of social history. In the face of rational modernisation, indigenous people are inherently inferior and constituted by lack: they are illiterate, dysfunctional, dependent and corrupt. The population explosion in their communities is causing serious problems.

Notwithstanding their expanding population, according to Widdowson and Howard they do not qualify for nationhood, dispersed as they are in small communities across the continent. Thus self-determination is not an option. The solution for all their “problems” is for indigenous people to submit to the evolutionary nature of history; to recognize the inherent superiority of scientific methods; to relocate from their traditional territories to urban centres; and to become “socialized” (ie. assimilated) into Canadian capitalism. Widdowson and Howard don’t hold out much hope for this solution to be workable in the near term, given “tribal” superstitions and resistance to progressive innovations. Clearly the only logical solution for the present is to cut funding for indigenous organisations and continue what they describe in positive terms as the “warehousing” of indigenous peoples on the margins of Canadian society."

Matthew L.M. Fletcher offers a response:

"First off, broad generalizations about the hundreds and thousands of North American cultures prior to, say, 1492, are utterly worthless, except for persons trying to make a political point. None of the above statements, taken together, is true for any specific group anywhere in the world. I’m from Michigan, as is my family’s communities, and they weren’t so savage. They had enormous agricultural output, even north of the so-called freeze line in mid-Michigan. In fact, these “unproductive” Indians fed the British (later American) fort at Michilimackinac in the 18th and 19th centuries with surplus corn, sqaush, beans, and other veggies."

Though the article is deeply misinformed, unfounded and largerly generalist, scarily, "we can expect it to have a long shelf life and misinform scores of people." Scary too are the myriad of comments to the Globe article that perpetuate and support these kinds of generalisations and misinformation.





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25.10.08

[aboriginal pedagogy and language]

I've just started reading Robert Bringhurst's The Solid Form of Language. A fantastic read and the book itself is a beatiful artifact, all texture and typography, just demanding to be touched.The image of the book on the left is from phil dokas on flickr. He's done a great job of capturing the texture of the book. "Drop a word in the ocean of meaning and concentric ripples form. To define a single word means to try to catch those ripples. No one’s hands are fast enough." ... poet, typographer and linguist Robert Bringhurst presents a brief history of writing and a new way of classifying and understanding the relationship between script and meaning.

Beginning with the original relationship between a language and its written script, Bringhurst takes us on a history of reading and writing that begins with the interpretation of animal tracks and fast-forwards up to the typographical abundance of more recent times. The first four sections of the essay describe the earliest creation of scripts, their movement across the globe and the typographic developments within and across languages.

In the fifth and final section of the essay, Bringhurst introduces his system of classifying scripts. Placing four established categories of written language – semographic, syllabic, alphabetic and prosodic – on a wheel adjacent to one another, he uses the location, size and shape of points on the wheel to show the degree to which individual world languages incorporate these aspects of recorded meaning. Bringhurst’s system is based on an appreciation that indeed no one’s hands are fast enough and that no single script adheres to or can be understood within the confines of a single method of transcription."

As I'm reading this book on typographic and linguistic developments I also have learnt that First Nations peoples of Manitoba (I wonder if this is true for all First Nations peoples?) prefer to use language as their main identifier:

For me this seems to highlight the importance of an oral culture and the tradition of passing on history, stories, teachings - a kind of "collective memory" that wouldn't get passed on if there wasn't the knowledge of language.


Image above of "Plains Cree Inscription" at the Forks Park in Winnipeg, found on wikipedia.





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18.3.08

[learning on screen - york 2008]

Yay the National Science Learning Centre in York has wifi...and it's working!

I'll be blogging throughout the two-day conference when things of interest arise.







Simon Campbell-Jones, former Editor Horizon
BBC Horizon - History of a Science Television Programme

  • importance of beginnings
  • how do you fill 50minutes of lecture...without being boring when science is basically *boring* (at least in the mid 60s)
  • "medicine is not a science"
  • showed an early clip from Horizon dealing with "continental drift" (for all you geologists out there) - this programme led to further programmes on plate techtonics
  • interestingly, Simon says he had to first understand the geology before being able to make a film about it, conceptual learning
  • Horizon did the first test-tube baby film, first "Whisper from Space," first film on absetosis, first programme on hot-blooded dinosaurs and first film on aids but these were not just educational films but these were dramatic and visual
  • need to challenge ideas
  • question on why people *hate* maths - because it's taught like *gospel,* about abstract ideas because "2 and 3 make 5." Interesting clip of video of a teacher asking a little girl (looks about 6) to add 63 plus 7 and she writes it out and adds it up, correctly. But, when asked why the number 7 is placed under the number 3 and not under the number 6, the little girl, after some thought, explained "that's how my teacher does it."
  • "explanation, interpretation, application, implication...."
  • every observation is like a detective story, science (and learning in general) should be exciting

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27.1.08

[new media art and and and]

I've just been reading Oliver Grau's "Integrating Media Art into our Culture" published in the most recent issue (22) of a minima magazine. He begins his article with reference to something that seems (to me) to be a kind of new media and culture/theory/concept/history etc... tag cloud (though the information/keywords seem to be based on analyses of Ars Electronica rather than *new media* at large):


"Hundreds of names of artists, thousands of artworks, art trends, theory of media art in keywords, presented in an enormous huge circle (please visit http://www.asa.de/research/kontext). (1) Thirty-two slices are offered as a subdivision into themes, like representation, emotion and synaesthesia, the material issue in art, atmosphere, games, therapy, mission, art as spatial experience we find glimpses of a history of media art."
Gerhard Dirmoser and ASA-European are the creators behind this map and they've made accessible "ca. 32 views in context of live, social relations, society, arts of humanities, philosophical relations, personal identities, body examinations, and so on;90 definitions of performance art and performing arts, hundred of names from artists and literature, titles from exemplary books in this 32 views."
The ASA site's own poster let's users click on various parts which lead to zoomed in sections of information. A *map* like this would be interesting in terms of transliteracy; to track its contexts and relations, developments...

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