16.11.05
About Me
Update: Winter Term: *** Lecturing at Grant MacEwan University on several topics including journalism, professional writing, e-learning, critical theory, analysis & argument and communications. As always, still interested in the role of new media in education.
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currently I'm...
still thinking about online narratives. Well, I've spent the past few years thinking about it but now I'm going in a slightly different direction. I'm thinking about wiki fictions, blog stories, youtube stories and facebook storytelling. I guess it's narratives 2.0? But I'm also researching transdisciplinarity in an academic context and editing two issues of the IOCT journal before steering the emergence of a fully-peer-reviewed journal (tentatively) titled: Transdisciplinary Studies in Creative Technologies.
I'm running the Digital Cultures module for the IOCT Master's, giving guest lectures for the Creative Writing and New Media Master's as well as part-time lecturing on new media and digital lit. I'm involved with the Narrative Laboratory project and this year's focus in on mapping social networking. I also contribute as an author to Transliteracy.com, a collaboratively written blog. I'm very interested in how the online environment and its particular affordances are affecting education. To that end I'm involved in a project linking the Inanimate Alice stories to digital literacy. Want to be involved? Check this out.
out and about
publications
Latest: - Cruising Along: Time in Ankerson and Sapnar which will appear in Ruth Page's edited New Perspectives on Narrative and Multimodality.
- Take a look at our collaboratively written paper on Transliteracy for the edited Handbook of Research on Social Software and Developing Community Ontologies.
- "Bits and Bytes: A Conversation with Chris Joseph
- Jess Laccetti Inquires about Ele Carpenter's Latest Work
- Review of Figurski at Findhorn
- Interview with Jeanie Finlay about Homemaker
- Interview with Mary Flanagan
good reads
- Angela Thomas
- Chris Joseph
- Grand Text Auto
- Kairos News
- Blog Storm
- Travels in Virtuality by Prof. Sue Thomas
- Jill Walker
- Disparate
- dooce
- Mark Hancock
- Deena Larsen
- WRT
- Digital Narratives
- Copyblogger
- Engadget
- TechCrunch
- ReadWriteWeb
- Pro Blogger
- Dosh Dosh


recent photos
quick links
- trAce
- IoCT
- international digital media and arts association
- html goodies!
- bbc news
- the toronto star
- corriere della sera
- geek.com
Previous Posts
- [melton mowbrey]
- [borough hill]
- [bonfire night]
- [your writing sucks]
- [rush hour in leicester]
- [mtv europe awards]
- [ELO call for works]
- [it's not news until it's been blogged]
- [interdisciplinarity = alien]
- [transliteracies]

Creative Commons License.
currently I'm...
still thinking about online narratives. Well, I've spent the past few years thinking about it but now I'm going in a slightly different direction. I'm thinking about wiki fictions, blog stories, youtube stories and facebook storytelling. I guess it's narratives 2.0? But I'm also researching transdisciplinarity in an academic context and editing two issues of the IOCT journal before steering the emergence of a fully-peer-reviewed journal (tentatively) titled: Transdisciplinary Studies in Creative Technologies.
I'm running the Digital Cultures module for the IOCT Master's, giving guest lectures for the Creative Writing and New Media Master's as well as part-time lecturing on new media and digital lit. I'm involved with the Narrative Laboratory project and this year's focus in on mapping social networking. I also contribute as an author to Transliteracy.com, a collaboratively written blog. I'm very interested in how the online environment and its particular affordances are affecting education. To that end I'm involved in a project linking the Inanimate Alice stories to digital literacy. Want to be involved? Check this out.
out and about
publications
Latest: - Cruising Along: Time in Ankerson and Sapnar which will appear in Ruth Page's edited New Perspectives on Narrative and Multimodality.
- Take a look at our collaboratively written paper on Transliteracy for the edited Handbook of Research on Social Software and Developing Community Ontologies.
- "Bits and Bytes: A Conversation with Chris Joseph
- Jess Laccetti Inquires about Ele Carpenter's Latest Work
- Review of Figurski at Findhorn
- Interview with Jeanie Finlay about Homemaker
- Interview with Mary Flanagan
good reads
- Angela Thomas
- Chris Joseph
- Grand Text Auto
- Kairos News
- Blog Storm
- Travels in Virtuality by Prof. Sue Thomas
- Jill Walker
- Disparate
- dooce
- Mark Hancock
- Deena Larsen
- WRT
- Digital Narratives
- Copyblogger
- Engadget
- TechCrunch
- ReadWriteWeb
- Pro Blogger
- Dosh Dosh


recent photos
quick links
- trAce
- IoCT
- international digital media and arts association
- html goodies!
- bbc news
- the toronto star
- corriere della sera
- geek.com
Previous Posts
- [melton mowbrey]
- [borough hill]
- [bonfire night]
- [your writing sucks]
- [rush hour in leicester]
- [mtv europe awards]
- [ELO call for works]
- [it's not news until it's been blogged]
- [interdisciplinarity = alien]
- [transliteracies]

Creative Commons License.
currently I'm...
still thinking about online narratives. Well, I've spent the past few years thinking about it but now I'm going in a slightly different direction. I'm thinking about wiki fictions, blog stories, youtube stories and facebook storytelling. I guess it's narratives 2.0? But I'm also researching transdisciplinarity in an academic context and editing two issues of the IOCT journal before steering the emergence of a fully-peer-reviewed journal (tentatively) titled: Transdisciplinary Studies in Creative Technologies. I'm running the Digital Cultures module for the IOCT Master's, giving guest lectures for the Creative Writing and New Media Master's as well as part-time lecturing on new media and digital lit. I'm involved with the Narrative Laboratory project and this year's focus in on mapping social networking. I also contribute as an author to Transliteracy.com, a collaboratively written blog. I'm very interested in how the online environment and its particular affordances are affecting education. To that end I'm involved in a project linking the Inanimate Alice stories to digital literacy. Want to be involved? Check this out.out and about
publications
-
Latest:
- Cruising Along: Time in Ankerson and Sapnar which will appear in Ruth Page's edited New Perspectives on Narrative and Multimodality.
- Take a look at our collaboratively written paper on Transliteracy for the edited Handbook of Research on Social Software and Developing Community Ontologies.
- "Bits and Bytes: A Conversation with Chris Joseph
- Jess Laccetti Inquires about Ele Carpenter's Latest Work
- Review of Figurski at Findhorn
- Interview with Jeanie Finlay about Homemaker
- Interview with Mary Flanagan
- Angela Thomas
- Chris Joseph
- Grand Text Auto
- Kairos News
- Blog Storm
- Travels in Virtuality by Prof. Sue Thomas
- Jill Walker
- Disparate
- dooce
- Mark Hancock
- Deena Larsen
- WRT
- Digital Narratives
- Copyblogger
- Engadget
- TechCrunch
- ReadWriteWeb
- Pro Blogger
- Dosh Dosh
good reads
recent photos
quick links
- trAce
- IoCT
- international digital media and arts association
- html goodies!
- bbc news
- the toronto star
- corriere della sera
- geek.com
Previous Posts
- [melton mowbrey]
- [borough hill]
- [bonfire night]
- [your writing sucks]
- [rush hour in leicester]
- [mtv europe awards]
- [ELO call for works]
- [it's not news until it's been blogged]
- [interdisciplinarity = alien]
- [transliteracies]
Creative Commons License.





jess @ jesslaccetti.co.uk
6 Comments:
Sorry, but I refuse to buy anything from Sony given their belief that consumers are evil.
But the doggies are sooooo cute!!! And so unbelievably real...I wonder who actually programmed them. Whoever did must have spent absolute AGES studying the movements/gestures of real dogs.
Tell me about Sony and evil consumers?
Cute doesn't cut it, in this case.
Sony and BMG merged a while back. BMG, being a huge music company, ensures that anything that Sony does has horrible amounts of piracy protection on it (dubbed DRM - digital rights management). So, you have these horrible DRM practices from the electronics side of the company, to satisfy the music side of the company.
Now, this is nothing particularly new. The recording and motion picture industries have been horrified by technology since day one. In fact, they took Sony to court in 1984 to ensure that the WalkMan never made it to market. They lost the case. And now Sony is hurting itself.
Moving along... At the beginning of this month a guy named Mark Russinovich (hardcore Windows coder) was poking around with one of the products that his company makes. The product is used to check to see if any 'rootkits' (tools designed to allow a remote use to take complete control of a PC) are installed. He didn't expect anything to crop up, but something did. You can read his whole slew of findings here: http://www.sysinternals.com/blog/2005/10/sony-rootkits-and-digital-rights.html
The basic gist: Sony embedded some horrible DRM on a CD. The software then embeds itself on Windows PCs, and actually cloaks itself from the OS. It also insinuates itself so nicely that if you delete it, you'll probably also bork your computer.
So, when that went public, all the tech people went nuts. Generally DRM is seen as a hideous thing, a way of legislating money out of people instead of giving them a valid reason to buy things. But to install clocked software? That can break an OS? That actually periodically connects to a Sony website to tell them what you've been doing? That's a horrible infringment of privacy.
Roughly a week after the story started making the rounds, Thomas Hesse, President of Sony BMG's global digital business division spouted off this gem:
"Most people, I think, don't even know what a rootkit is, so why should they care about it," he asked? "The software is designed to protect our CDs from unauthorized copying, ripping."
And there you go. It is their utter disregard and dislike for consumers. It is their complete intransigence towards the idea of "fair use." If I buy something, and want to make copies of it, I'd better be able to. I did pay for it, after all.
There is a far bigger story to be found behind Sony, and the recording/motion picture industries. Sony wants to create it's own digital world - an all Sony no Internet connection one. That way they can watch the DRM every step of the way, and ensure that people stay locked in to whatever they say.
As to the R/MPI... Content providers want to move to a micro-payment world. The idea is that you basically 'rent' things from them, and for short periods of time. Want to watch a TV show on demand? Sure, at $1.99. However, it'll start deleting itself 30 minutes after you've started watching it. Want to rewind? Good luck. Want to watch it again? Got another $1.99? Bought a CD and want to convert it to MP3? Sure you can do that, but you cannot put it on your MP3 player. That'll cost you $0.49/track.
It's the complete and utter siege of fair use. And I do not like it. Hence my refusal to support Sony.
Whoops, I meant "cloaked software."
Also: I should point out that in the Thomas Hesse quote he says "our CDs" when in fact... They are not theirs anymore. The second they are purchased, they are newly owned. So to think that they can do whatever they want after the fact is just brutal.
Hey, did you hear about Sony having been taken to court because they secretly installed spyware on customers hardware.....hrumph! Maybe the Aibo looks cute but is really a high-tech spy machine?!
Uh. Did you not read my post? That was all about the spyware (rootkit). C'mon!
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